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.By this method Scott emphasizesston Churchill in the Ridley Scott produced television film Henry s satisfaction with life s simple pleasures.Max (RUS-THE GATHERING STORM (2002).In a preproduction SELL CROWE) remembers him with affection; when he wasinterview Finney asserted that Churchill had an extraor- a boy he learned Henry s philosophy of life, which accord-dinary personality as manifested in a remarkable capac- ing to the film s pressbook has mostly to do with wine inity for work.He was quite accustomed to working twenty particular, but around that is a philosophy of enjoying life.hours a day, and he expected them [his staff] to work Uncle Henry is contrasted with his nephew Max SkinnerFORD, HARRISON (1942 ) 115 %(Crowe), a city slicker who gradually undergoes a process of (Michael Jackson), Bedtime Stories (Madonna), andself-discovery, something signaled by a change in the way Weird (Hanson).Foden was engaged as designer onCrowe delivers his lines.By the final sequence he reproduces MATCHSTICK MEN, and was keen to exploit the LOSFinney s slow, measured tones, suggesting that both men ANGELES locations to show Roy s (NICHOLAS CAGE s)have now understood that happiness lies in the unchanging idiosyncrasies of character.In a preproduction interview heworld of the château.stressed that Roy would have to live in a spare and orderlyenvironment, with much of the inspiration coming fromReferences the paintings of John Register.His [Register s] use ofQuentin Falk, Albert Finney in Character (London: Robson Books,strong afternoon sunlight and long shadows, combined with2002), 195; The Gathering Storm: Information Pack Issued 17 Junecontemporary settings was an idea I thought could set the2002 (London: BBC, 2002), www.bbc.co.uk/pressoffice/pressreleases/mood of the film.It provided a linear sectioning betweenstories/2002/06_june/17/gathering_storm_pack.pdf (accessed 24order and disarray which really defines the character of Roy.December 2008); Marc Klein, A Good Year: Screenplay (Draftdated 5 September 2005), http://www.dailyscript.com/scripts/ ReferencesA-GOOD-YEAR-2.pdf (accessed 26 January 2009); Pressbook: A Production Information: Matchstick Men (Los Angeles: Warner Bros.Good Year (Los Angeles: Twentieth Century-Fox Film Corporation, Pictures, 2003), 14.2006), 3.FORBIDDEN PLANETFIORENTINO, LINDA (1958 ) US 1956 r/t 98 min col.Production Company: MGM.Pro-Made her name playing Bridget Gregory in The Last Seduction ducer: Nicholas Nayfack.Director: Fred M.Wilcox.Writer:(1993), plus roles in Men in Black (1997) and Dogma (1999).Cyril Hume.Director of Photography: George J.Folsey.Pro-Interviewed by Bruce Kirkland while promoting her role duction Designers: Cedric Gibbons and Arthur Lonergan.as Carol MacKay in WHERE THE MONEY IS, Fiorentino Music: Bebe and Louis Barron.Cast: Walter Pidgeon (Dr.claimed to find PAUL NEWMAN, her seventy-five-year-old Morbius), Anne Francis (Altaira Morbius), Leslie Nielsenleading man, very attractive: He s about the only man I (Commander Adams), Warren Stevens (Lieut. Doc Ostrow),could think of that I would have sex with even if he were in Jack Kelly (Lieut.Farman), Richard Anderson (Chief Quinn),his nineties.He is beautiful physically, but he has this inter- Earl Holliman (Cook), Robby the Robot (Himself).nal beauty, too.It s endless.It s forever.His skin still looks The famous movie based on Shakespeare s Tempest.soft and supple, his body is still trim and virile and those ALIEN contains numerous allusions to it notably in thecolour-blind, baby-blue eyes still pierce when people lock scene where the crew members investigate the desertedhim in a gaze. This is certainly not the case in the film itself; planet where they first encounter the beast.Both films alsowhereas Carol certainly admires Henry Manning (Newman s explore the consequences of human beings seeking to med-character), the relationship is strictly platonic, based on dle with the unknowable.mutual respect rather than sexual attraction.Ridley Scott was interviewed about the film and otherAlexander Walker found the casting of Fiorentino in the classics that inspired him in the 2005 TV documentaryfilm a perfect match for Newman: Her resourcefulness Watch the Skies! Science Fiction, the 1950s and Us
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